Selznick's OBSESSION Broke GONE WITH THE WIND's Production (And Made It Legendary) скачать в хорошем качестве

Selznick's OBSESSION Broke GONE WITH THE WIND's Production (And Made It Legendary)

Once upon a time, Golden Age Hollywood set a “city” on fire… before they’d even cast the woman who was supposed to run through it. This is Gone with the Wind (1939)—not just one of the most famous classic films ever made, but one of the most chaotic behind-the-scenes productions in cinema history. A director war. A script emergency. A schedule ruled by payroll—Clark Gable’s payroll. And a producer, David O. Selznick, whose memos controlled everything from Technicolor choices to continuity… and even Scarlett O’Hara’s padding. Stay to the end, because the Atlanta premiere turned into a national spectacle—and the true story of how this Hollywood epic was made is just as dramatic as what made it onto the screen. Chapters: 00:00 Burned “Atlanta” before casting Scarlett 00:35 This production ran like a crisis 01:20 “Selznick’s Folly” and the memo machine 02:15 The Scarlett casting obsession 03:10 The Burning of Atlanta (backlot fire explained) 04:25 Director war: Cukor out, Fleming in, Wood steps in 05:40 The Clark Gable payroll problem (schedule = weapon) 07:00 The memo storm + Scarlett’s padding 08:05 Script triage: pages arriving at the last second 09:05 Atlanta premiere spectacle + veterans’ standing ovation 10:00 Immediate reaction: “Gone Mad With the Wind” 10:35 Hattie McDaniel + Oscar night contradiction 11:15 Final takeaway + outro 🎬 And Finally… Steady your nerves. Guard your heart. And remember — the greatest legends aren’t born in calm studios… they’re forged in chaos. When the pressure is highest, the schedule is merciless, and the whole thing feels like it could collapse at any moment… that’s when Hollywood finds out what it’s really made of. ⚖️ Copyright Disclaimer: Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Non-profit, educational, or personal use tips the balance in favor of fair use. No copyright infringement intended. ALL RIGHTS BELONG TO THEIR RESPECTIVE OWNERS.