Raga Jog Kauns - Lalmani Mishra скачать в хорошем качестве

Raga Jog Kauns - Lalmani Mishra

Lalmani Mishra - Vichitra Vina Kishan Maharaj - Tabla Raga Jog Kauns Recorded on 2nd October 1978 at Malaviya Bhavan, Varanasi, India by Henry Ritzmann This music was made available with the kind permission of Georg Lawall Produced by Günter Wick From Wikipedia: Lalmani Misra (11 August 1924 – 17 July 1979) was an eminent Indian classical musician known as much for his art as for his scholarship. Lalmani learnt Dhruvapada (Dhrupad) Dhamar in the tradition of Shankar Bhatt and Munshi Bhrigunath Lal. He learnt Khayal singing with Ustad Mehndi Hussain Khan, a disciple of Ustad Vazir Khan of Rampur Seni Gharana. He received training in Dhruvpad, Bhajan and Tabla from Swami Pramodanand; in sitar from Shri Shukdev Roy. Under the tutelage of Ustad Amir Ali Khan he perfected several other musical instruments. Lalmani was appointed on the post of assistant music director in Shehanshahi Recording Company, Calcutta at the age of twelve. He worked in several films for the next two years. His interaction with these two kindled an interest for orchestration in Lalmani. He returned to Kanpur in 1940 after his father's death. A musical prodigy himself, he experimented with ways of imparting musical training to children, at a time and place where learning of music was shunned by the chaste and noble. He opened several "Bal Sangeet Vidyalaya" – music schools for children; modified the syllabus according to the need of learner, both formal and informal; started an orchestra society. He established the reputed institution of the region, "Bharatiya Sangeet Parishad", and a music college – "Gandhi Sangeet Mahavidyalaya".[1] Excited by all things musical he persisted in experimenting and soon his innovations in technique, style, and orchestration brought him repute and regard. The renowned dance maestro Uday Shankar offered him the position of music director in his troupe. Lalmani Misra travelled with the troupe composing scores for the innovative dance presentations and ballets on mythological and contemporary themes. The troupe covered several major towns and cities of India and covered Ceylone, France, England, Belgium, America and Canada between 1951 and 1955. Misra was adept at playing several types of musical instruments, and had a knack for orchestration, which served the needs of Uday Shankar's innovative Dance troupe. The experience with the troupe made him try his hand on stage as well. He created Meera opera that was staged in 1956 at Kanpur. The audience were amazed by sudden disappearance of Meera from stage, apparently merging into the idol of Lord Krishna. Another production of this opera was presented at Varanasi at Banaras Hindu University in 1960 at tenth anniversary of foundation of Music Faculty. On his return Lalmani Misra was appointed as the Registrar of "Akhil Bharatiya Gandharva Mandal Mahavidyalaya, Bombay" – the prestigious most body for Indian Classical Music education. On the pressing invitation of citizens and city officials, he resigned to join the college (Gandhi Sangeet Mahavidyalaya) he had founded in his hometown Kanpur, as its Principal in 1956. Meanwhile, the College of Music and Fine Arts had been established by Pandit Omkarnath Thakur at Banaras Hindu University (BHU), Varanasi in 1950. By 1955–56 its teething troubles were over and department was ready for expansion. A scheme for its re-organization was prepared with inspiration and encouragement provided by the then Vice-Chancellor, C.P. Ramaswami Iyer. On the insistence of Pandit Omkarnath Thakur, Lalmani Misra accepted appointment as Reader in the college and left his native Kanpur a third time for Varanasi in 1957. Misra followed stalwart predecessors like Omkarnath Thakur and B. R. Deodhar in the Department of Performing Arts at BHU. Under his able helmsman-ship, the college increased its reputation in imparting the best education in Hindustani classical music. A rigorous hands-on course in performance and composition culminating in doctoral degree (D.Mus.) was started which has earned faculty positions for almost all its graduates around the globe. He was a visiting Professor in music in the South Asia Studies program at the University of Pennsylvania, Philadelphia from 1969 to 1978. Many students came to learn intricacies of music with him. Pandit Uday Shankar sent his son Ananda Shankar to Misra to learn the art of orchestration.