Invisible Touch - Genesis (SIMMONS 80s Drum Cover) скачать в хорошем качестве

Invisible Touch - Genesis (SIMMONS 80s Drum Cover)

‪@KMKanDrum‬ ‪@RichRawDawgdrums‬ This is my last Genesis / Phil Collins drum covers! It was a fun week! Enjoy! Invisible Touch is the thirteenth studio album by the English rock band Genesis, released on 6 June 1986 by Atlantic Records in the United States and on 9 June 1986 by Charisma/Virgin Records in the United Kingdom. After taking a break in 1984 for each member to continue his solo career, the band reconvened in October 1985 to write and record Invisible Touch with engineer and producer Hugh Padgham. As with their previous album, it was written entirely through group improvisations and no material developed prior to recording was used. Invisible Touch was recorded between October 1985 and February 1986 at The Farm, the band's private recording studio in Chiddingfold, Surrey. They were joined by engineer and producer Hugh Padgham, who had worked with the band since Abacab (1981) and produced the album with the group, with Paul Gommersall as assistant engineer. Earlier in 1985, the studio was upgraded to a plan supervised by Masami "Sam" Toyishima. The group approached the writing sessions for Invisible Touch with a greater sense of confidence, as they had now become a big live act in the US and had reached a new level of commercial success worldwide. As with Genesis, they entered the studio with no preconceived ideas and developed songs from recorded jams and improvisations, a process Collins compared to as "close to jazz". The group considered their strongest songs were those arranged in this way, so they repeated this approach for Invisible Touch. Collins said: "You never quite know what's going to happen. It's just the three of us chopping away, fine-tuning and honing down all these ideas." A typical session saw the trio work from 11am to as late as 2am the following morning, and start with Collins setting up a drum pattern on the drum machine so Banks and Rutherford could jam ideas. Collins would then sing vocal lines, which created an atmosphere and the basis for a song. Collins recalled his impetuous attitude during the writing sessions and suggested bits of songs be pieced together as early as possible, but Banks and Rutherford were reluctant to do so. Many of the songs on the album evolved from Banks using the recording function on his E-mu Emulator to capture sounds in the studio, and listening back for potential sounds and rhythms that could be used in a song. The keyboard allowed just 17 seconds to be recorded. The album features Collins playing on a Simmons electronic drum kit. In order to capture more of a sound from the Simmons kit rather than feeding it directly into the mixing desk, Padgham also fed the tracks through a mixer and into a PA system before playing it "very, very loud" in the studio. Padgham later said that the Simmons sounded "a bit thin and toneless." Collins also used a Roland Pad-8, an electronic pad that triggers percussion sounds from the MIDI instruments used on the album, including a Roland TR-727 drum machine with Latin-inspired samples and Collins' own E-mu Emulator. After several jams had been put down on tape, the band listened back to them and picked out the strongest moments with the aim of arranging them into a song. A drum machine was used to create a guiding rhythm, before the guitar and keyboard parts were fully arranged and re-recorded before Collins would replace the drum machine with his own drums last. The band discussed a song's potential length, and whether to write lyrics for it or keep it as an instrumental. The lyrics to a track were written after the music was recorded, and were penned by a single member as the group considered the individual had a strong enough direction to carry the song's message through. Collins wrote the words for "Invisible Touch", "Tonight, Tonight, Tonight", and "In Too Deep"; Rutherford wrote for "Land of Confusion" and "Throwing It All Away"; Banks wrote "Domino" and "Anything She Does". Basic Equipment Gretsch - 14x20 Ludwig Black Beauty - 6.5x14 Simmons SDS9 Pads Triggering (SPDSX , Alesis Module) Paiste -14" 505 Medium Bottom/2000 Regular SE Bottom, 16" 2002 Crash, 22" 2002 Ride, 18" Crash Logic Pro X Presonus StudioLive 24.4.2 Now available Earldrum's Spring Store https://my-store-d51346.creator-sprin... Please check out my series on how to make a drum cover in this playlist • How I Make A Drum Cover (Series) Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use. No Copyright Infringement Intended. All copyrighted material remains the property of the respective copyright owner(s).