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Ballad of the Misty Lake Morning descended upon the famed lake in the highlands of East Java, where the Bromo Tengger Semeru range kept its eternal watch. A veil of mist drifted across the still surface, the water shimmering like polished glass, reflecting the pale silver of the newborn sky. The air was sharp, the silence deep, and yet beneath it lay whispers old echoes from travelers, wanderers, and souls who had once stood on this very shore. The lake seemed to breathe with mystery. Every ripple carried the weight of untold stories, as though time itself hesitated, unwilling to disturb the sanctity of dawn. It was a stage waiting for its performer, a canvas prepared for a fleeting stroke of destiny. And then she appeared. No one saw where she came from, but suddenly she was there an ethereal figure, a young woman whose beauty was as disarming as it was otherworldly. Her skin glowed like porcelain in the dim light, her steps so light they seemed to hover above the earth. Her long dark hair danced with the mountain breeze, framing her face with an elegance both fragile and haunting. Her attire was strange, almost surreal. A plain white fitted shirt clung to her slender frame, but below it flowed a jarit sogan, the traditional Javanese cloth with deep brown motifs of antiquity. A curious blend of the modern and the ancient, the foreign and the local. Perhaps she had wandered from a faraway land some said she resembled the grace of women from the land of ginseng. Or perhaps she was not of this world at all, but a spirit briefly taking human form. She did not speak. She did not smile. She only played. From her hands rose a slow rock melody, tender yet searing, curling through the air like smoke from an unseen fire. Each note lingered, bending and swaying, like the suppressed cry of a wounded heart. It was not loud, not triumphant rather, it was intimate, fragile, yet piercing in its sorrow. Her face remained unreadable, blank as a mask. But in that stillness, the music betrayed her each tremor of sound carried the weight of grief, of loss, of longing buried too deep to name. The melody lasted no more than four minutes, yet in those minutes it felt as though one had lived through the chapters of a long ballad: love, despair, memory, and farewell, all contained in the space between one breath and the next. To listen was to read a novel without words. Each phrase was a paragraph; each lingering note a punctuation mark, granting pause for the heart to ache. The lake, the mist, the dawn all became accomplices to her song, amplifying its resonance into something greater than sound. That morning was no longer just a scene of nature’s beauty. It became an encounter, a ritual, an unspoken confession. The union of mountain air, silent water, mystical dawn, and a woman wrapped in paradox foreign yet local, fragile yet powerful. It was a moment both real and unreal, something to be remembered and yet never fully explained. When the melody ended, silence returned, heavier than before. She remained for a breath, then as suddenly as she had appeared, she was gone like mist dissolving under the sun. What lingered was not her presence, but her absence. The ache of something beautiful that could not last. The lake, with its timeless gaze, became the keeper of her sorrow. It absorbed the unspoken pain, the melody’s lament, and sealed it beneath its still waters. And so it remains, waiting, perhaps, for another dawn, another soul to feel its weight. That was the morning beautiful, aching, magical, and mournful. A morning that left no answers, only echoes. Like a song cut short, whose resonance lingers long after its final note, it was a ballad carved into mist, into memory, into the silence of the lake itself.