What then is love but mourning? (Phillip Rosseter) Harp Cover - The Michigan Harpist скачать в хорошем качестве

What then is love but mourning? (Phillip Rosseter) Harp Cover - The Michigan Harpist

Visit https://www.TheMichiganHarpist.com for professional clips/photos, event/booking info, and lesson information! For the best audio quality, capturing the warmth of the harp, listen with headphones! *** The second of two custom songs for a wedding ceremony this weekend! I've had couples pick some unique songs/pieces over the years, but this one might take the cake as being the most surprising!!! This tune, composed by Phillip Rosseter, is relatively brief; I decided that I wanted to do something fun and turn it into a theme-and-variations for when I perform it for this couple's unity symbol. What do you think of the different settings? Lyrics and song information below! ***** What then is love but mourning? What desire but a self-burning? Till she that hates doth love return Thus I will mourn, thus I will sing, Come away, come away, my darling Beauty is but a blooming Youth in his glory entombing; Time hath a while which none can stay, So come away while I thus sing, Come away, come away, my darling. Summer in winter fadeth, Gloomy night heav'nly light shadeth, Like to the morn are Venus' flowers, Such are her hours, then will I sing, Come away, come away, my darling **** From https://listen.muzikair.com/us/tracks... Philip Rosseter (1568 – 5 May 1623) was an English composer and musician, as well as a theatrical manager. His family seems to have been from Somerset or Lincolnshire, he may have been employed with the Countess of Sussex by 1596, and he was living in London by 1598. In 1604 Rosseter was appointed a court lutenist for James I of England, a position he held until his death in 1623. Rosseter is best known for A Book of Ayres which was written with Thomas Campion and published in 1601. Some literary critics have held that Campion wrote the poems for Rosseter's songs; however, this seems not to be the case. It is likely that Campion was the author of the book's preface, which criticizes complex counterpoint and "intricate" harmonies that leave the words inaudible. The two men had a close professional and personal relationship; when Campion died in 1620, he had named Rosseter his sole heir. [source from Wikipedia]