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Welcome to Teach Yourself Bagpipes with Lindsay Davidson - Exercises http://www.teachyourselfbagpipes.co.uk http://www.teachyourselfbagpipes.co.u... http://www.lindsaydavidson.co.uk About this exercise This exercise is intended to help you develop control over a medium light throw. It helps in this by marking out clearly where the low G is in relation to the beat and by making it clear this low G is the same length as the other gracenotes in the throw. The lightness comes from the short low G and the extra emphasis comes from the three gracenotes being the same length. Specifically making the strike to C the same as the D makes the effect of being more heavy than if the C were shorter. The G gracenote to C which precedes it is a common feature that occurs in tunes and so you should be able to copy and paste this rhythmical version of the throw in those situations when you feel it is the correct interpretative decision. Things to watch out for are crossing sounds between the C and E. How to practise Solid bagpipe technique is not about being able to squeeze more wiggly bits into an ever smaller space of time. Solid bagpipe technique means that you can choose how long or short every finger movement will be (and why, according to your physical situation and musical interpretation), and the actions come out as exactly you want. These exercises are designed to make this happen, to give you total awareness and control over your embellishment rhythm. The Magic Maxim: "If you can play slowly you can play quickly, but the converse isn't necessarily true..." This means exactly what it says - the better you become the more exactly you should be able to control what you are doing, and so to test ourselves, we shouldn't practise more quickly, but more slowly. To think like computers - a sampling rate for a recording is a measure of how many times a second the computer will measure what is happening in the sound. A higher sampling rate makes for a higher quality of recording, up to a point beyond which it doesn't make much difference. It is the same with piping - the more times in a beat you can say exactly what is happening, the better your piping, up to a point.. Playing exactly with the midi files at a quarter speed is a fairly good test for a group, and this extra secret can dramatically affect the strength of playing within a band, and the confidence. It is true that using this approach, you can bring about a positive revolution in your band's playing and attitude. So to repeat, as you get better and your finger and rhythmical control become more exact, you should go from the fastest videos...to the slowest. More details here: http://www.teachyourselfbagpipes.co.u... http://www.teachyourselfbagpipes.co.u... For more tunes and exercises and instructions please go to the teach yourself bagpipes site by Lindsay Davidson, which is free and always will be: http://www.teachyourselfbagpipes.co.uk There is something there for everyone, including March, Strathspey and Reel sets, band tunes, piobaireachd. More about Lindsay Davidson can be found here: http://www.lindsaydavidson.co.uk The Clan Davidson Virtual Pipe Band started out as an idea for Clan Davidson, but quickly grew its own legs and arms. You can access the band's tunes and find out how to join here: http://www.teachyourselfbagpipes.co.u...