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James Kalm admits to (GASP…) a certain amount of painterly chauvinism. Perhaps because of his early indoctrination into the New York School’s ideology of existential paint-slinging, he’d always perceived the work of Georges Mathieu with a level of skepticism. However, after experiencing this museum quality exhibition, your humble correspondent is persuaded to reevaluate his biases. Gorges Mathieu is an essential character in the history of Post World War II French art, and represents a take on the concept of action painting, that was paralleled in the New York scene by the likes of Kline, de Kooning and Pollock. This exhibition presents several, rarely seen, massive pictures that show the ambition, and scale of this artist’s intentions. By pairing a sense of the performative, with a visceral feel for the materials of painting, Mathieu creates a juncture that would manifest historically as performance art on one branch, and material painting on the other. A musical introduction is provided by SECONDSET. This program was recorded October 14, 2021. #jameskalmreport #jameskalmroughcut #lorenmunk