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Why Blocking Matters More Than Lighting

In commercial cinematography, lighting gets most of the attention. But movement determines everything. This breakdown explores why blocking comes before lighting and how the industry standard process of Block, Light, Rehearse, Shoot shapes professional film sets. Using a Microsoft Education commercial filmed inside a working school with choreographed Steadicam sequences, this video explains how to design lighting around movement instead of fighting it. Topics covered: • Block, Light, Rehearse, Shoot explained • Lighting long Steadicam moves in hallways • Using practical overheads as motivated sources • Matching LED fixtures to existing color temperature • Pushing light through doorways for depth • Building performance lanes instead of lighting entire spaces In large commercial environments, light follows blocking. Commercial cinematography work: https://StephenCGreathouse.com Microsoft Education project featured in this breakdown: https://stephencgreathouse.com/micros... --- #cinematography #directorofphotography #commercialdp #filmmaking #steadicam #filmproduction #filmmakingtips --- 00:00 – Why Blocking Comes Before Lighting 00:17 – Block, Light, Rehearse, Shoot Explained 00:39 – Microsoft Education Commercial Breakdown 00:55 – Working with a Steadicam Operator on Choreography 01:19 – Lighting Products vs Lighting Movement 01:33 – Camera, Lenses, and Diffusion Choices 02:03 – Blocking for Dance and Steadicam Movement 02:18 – How to Light Hallways for Film 02:48 – Matching LEDs to Practical Overheads 03:05 – Lighting Long Hallways with Aputure 1200s & 600D 03:42 – Using Magnets and Titan Tubes in Schools 04:08 – Why Lighting Follows Blocking 04:44 – Time, Budget, and Efficiency on Set 05:01 – Pro Tips for Shooting in Schools 05:32 – Using Polarizers to Control Reflections 06:22 – Final Takeaway: Lighting Follows Movement