Cinema Lenses, are they worth the price tag? скачать в хорошем качестве

Cinema Lenses, are they worth the price tag?

In the world of cinematography where film crews and camera operators rely on manual focus almost exclusively, cinema lenses among a few other features, offer 1 critical advantage over photo lenses, and that is their precise and smooth manual focus control. If you have ever tried to manually focus on standard photo lenses, you will realise just how imprecise it can be. The focus throws on standard photo lenses are so short that it becomes very difficult to accurately dial in your focus and follow your subject, as even the slightest move in focus will shift your focus plain quite dramatically. This makes things like focus pulling almost impossible at times. This is where Cinema Lenses come in and resolve this issue. These lenses are designed for precise and smooth manual focus control, where these sigma cine lenses have a 180degree focus throw, with clear linear focus markers and guides printed over the lens. These much expanded, linear operating focus throws are so nice to work with, and allow you to accurately dial in focus, and follow your subject with confidence. Using photo lenses I was always conscious and worried that with the slightest 1 to 2mm turn of the ring that I would completely overshoot my focus point and ruin my shot, with these lenses, those tiny rotations of the ring clearly and simply shift focus a small amount allowing you to accurately pull focus throughout a scene. While this discussion focuses on the Sigma 18-35 T2 cine zoom and 50-100 T2 cine zoom vs the f1.8 photo versions, the discussion applies broadly across the cinema lens debate. -- Cinematographer Bio -- Tom Park is an accomplished underwater cinematographer and director, with over a decade of experience working in the underwater film industry. Tom has worked on a variety of projects, from short form docu-series to commercials and brand campaigns, for clients such as The National Gallery of Victoria, Tourism & Events Queensland, Destination NSW, The Smithsonian, and his work has been recognised with awards from film festivals around the world. Tom is known for his technical expertise in working with underwater cameras and equipment, as well as his creative vision in capturing the beauty and uniqueness of the underwater world. He is passionate about ocean conservation and using his art to raise awareness about the importance of protecting marine ecosystems. If you are looking for a dedicated underwater cinematographer in your documentary film crew, or are a brand looking to create an unforgettable marketing campaign, Tom has the skills and experience to help you bring your vision to life. For more visit my website: www.tomparkfilms.com or find my work on socials at www.instagram.com/tomsunderwaterphotography For business enquires only, please shoot me a message at [email protected]