Marching Percussion 101: Ex 11 "Chuggada" (Battery Only Audio) скачать в хорошем качестве

Marching Percussion 101: Ex 11 "Chuggada" (Battery Only Audio)

Vic Firth Marching Percussion 101: 11 Essential Drumline Warmup Exercises Recorded with the VF All-Star SoCal Drum Line 00:12 LEVEL 1 Bronze 01:35 LEVEL 2 Silver 02:52 LEVEL 3 Gold ABOUT EXERCISE 11: This exercise enables you to plug any rudiment into 1, 2 & 4 count "shell," making it infinitely expandable. Depending on which rudiments you choose to work on, adding it to the shell will work on timing and expand your ability to rapidly change fulcrum pressure between the rudiments in one exercise. • First learn the pattern of the exercise with alternating Flams in the 1, 2 & 4 count shell. All of the same techniques that you've learned in the previous exercises apply: two height control with consistent rhythmic accuraccy on all inner beats and consistent spacing of all the grace notes of the flams ("chuts", not "pops" or "fa-LAMs"). • The first rudiment applied in the shell of this exercise is the "Single Stroke Seven" - or 16th note triplet pattern. Work to maintain a strict tempo between the duple Flam Accent pattern and the 16th note triplet (think of the 8th note base in the triplets). The Flam Accents require a strong fulcrum pressure, then moving to the singles, a relaxed rebound stroke. In the examples, you'll see a full rebound stroke on the singles at a slow tempo, with gradually lowering heights as the tempo increases. Keep a relaxed rebound stroke throughout, using the fingers to dribble the stick for the 2 & 4 count shell patterns. • The second rudiment applied in the shell is a 16th base roll (1, 2 and 4 counts). You will need to adjust the fulcrum pressure to keep the roll in tempo and create a consistent motion of the forearms in the 8th note pattern. Play the rolls at a lower height per the tempo required. • The third rudiment applied in this example is Flam Taps, which is a rebound rudiment. Relax the fulcrum pressure and allow the natural rebound of the drum for each of the hand-to-hand patterns of the Flam Taps. Listen carefully to the spacing of the grace notes in each of the flams throughout. • Finally, we apply a "Swiss Army Triplet" to the shell pattern, which requires a much lower height and stronger fulcrum control. Again, the spacing of the flams in each swiss triplet is important, otherwise you will loose clarity of the the 16th note triplet rhythm. • Any rudiment that you substitute in the shell will require a different set of control issues, which is why this exercise is so effective. With each one, work it slowly with a metronome and listen for rhythm accuracy and consistency, then detail the fulcrum pressure changes between the patterns that are necessary. In the end, the ability to adapt the fulcrum pressure and wrist/forearm motion between the patterns is what will take your drumming to the next level! Good luck! ----- DOWNLOAD THE EXERCISE PACKET (SCORE AND PARTS): https://www.dropbox.com/scl/fo/r2lrxd... ----- Are you or your drumline in desparate need of a great fundamental program?The exercises included in this project are specifically designed to provide the beginning to intermediate drumline with a solid foundation for building individual and ensemble technique. We've assembled an "all-star" battery percussion section to not only demonstrate each of the exercises at 5 different tempos, but present them with video and audio tracks so that you and your percussion section can play along to help establish great tempo control and match the sound of a high quality ensemble. To make it even more fun to practice, we have added backing tracks to each of the exercises in the Bronze, Silver, Gold, Platinum and Diamond levels so that you can test your current abilities and continue to aspire to improve!