Miles & Trane / Live in Stockholm / DRLP 91 C скачать в хорошем качестве

Miles & Trane / Live in Stockholm / DRLP 91 C

Miles Davis & John Coltrane Live Dragon DRLP 90 / 91 12inch LP x 2 Side C 00:06 Coltrane Interview part 2 03:18 So What Miles Davis tp; John Coltrane ts; Wynton Kelly p; Paul Chambers b; Jimmy Cobb ds; Konserthuset, Stockholm, Sweden, concert, March 22, 1960 John Coltrane Interview (March 22, 1960) - Part 2 1960 Stockholm interview conducted by Carl-Erik Lindgren. Lindgren: Listening to your playing, it feels like you are running through very complex chord progressions at an incredible speed. Was this technical approach something you built consciously? Coltrane: Yes, to some extent. I’m interested in exploring the structure of chords deeply. I want to bring out every note contained within a chord and all the possibilities hidden behind it. That is what leads to playing many notes rapidly—what some call "Sheets of Sound." Lindgren: You used to play alto saxophone in Eddie "Cleanhead" Vinson's band. Did switching to tenor change your musical outlook? Coltrane: It was a big change. I feel the tenor is closer to a "voice." It allows for deeper and more powerful expression. In Vinson's band, I learned the essence of the blues. That remains my foundation. No matter how complex I try to be, the blues is always at the root of it. Lindgren: What are your plans for the future? Is there anything new you want to try? Coltrane: Actually, I’m thinking about forming my own group. What I’ve learned from Miles is immeasurable, but I want to take responsibility for shaping my own musical ideas from start to finish. I want to create a space where I can pursue the sound I believe in more freely and deeply. Lindgren: Lastly, what is jazz to you? Coltrane: That’s a difficult question. To me, it’s about "telling the truth." Taking what I’m feeling or looking for in that moment and putting it into sound without any falsehood. That’s all I’m thinking about.