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Zae Munn (b. 1953) — Pavanish and Galliardish (2025) for organ Carson Cooman, organ Published by the composer (https://www.zaemunn.com/product-page/...) 0:00 | Pavanish 3:57 | Galliardish The pavane and galliard are Renaissance dances that were popular throughout all of Europe during the 16th century. The pavane is a dance of slow, processional-like character. The galliard is vigorous and fast. These two dances became a common pairing: the slow pavane serving as a kind of prelude to the fast galliard; or from the alternate view, the galliard being a release of energy in response to the pavane. Like many historical dances, the musical forms stayed in use even after the popularity of the actual dancing had ended. The diptych pairing of pavane and galliard also served as a simpler proto-form for the later multi-movement dance suites that found sophisticated musical flowering in the Baroque era. The keyboard pavane and galliard pairs in late 16th century and early 17th century collections—such as William Byrd’s “My Ladye Nevells Booke” and the “Fitzwilliam Virginal Book”—have remained in the repertoire to the present. As with many historical musical forms with roots in dance, composers have continued to be inspired by these to produce new pieces looking at these old forms with their own perspective. American composer Zae Munn (b. 1953) began her early musical training as a cellist, with additional studies in piano, voice, and conducting. She was educated at Chicago Musical College of Roosevelt University (BM) and the University of Illinois at Champaign-Urbana (MM and DMA). Munn served from 1991 until her retirement in 2025 as Professor of Music at Saint Mary’s College in South Bend, Indiana. Past faculty positions included Bowdoin College, Transylvania University, Lehigh University, and Interlochen Arts Camp. She is director and resident composer of the Summer Composition Intensive. Her music has been widely performed, commissioned, and published. (zaemunn.com)