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Support my work by buying my feature film BAD ANIMAL! Link here: http://bit.ly/47Q49Pd SUBSCRIBE for new videos every week. After ten years with RED, I’m finally letting go. This video is both a send-off and a reflection — what made the RED Dragon-X DSMC2 legendary, why I loved it, and why I’m selling it now. I also shoot a few last inserts for my upcoming short film using anamorphic lenses and old 1950s slides. For anyone considering buying or selling a RED, this is my honest long-term perspective. 🎥 Shot on: RED Dragon-X + Sony FX9 🎞 Project: experimental insert shoot for upcoming short film Timestamps 00:00 – Saying goodbye to my RED camera 00:06 – A decade of shooting with RED 00:10 – Why I’m selling it now 00:22 – Memories and attachment 00:30 – Shooting one last project with it 00:41 – FX9 vs RED on the same film 00:56 – Why I can’t justify keeping it 01:14 – Value drop and total cost over the years 01:24 – Comparing image quality and usability 01:48 – FX9 convenience vs RED image 02:11 – Setting up for anamorphic inserts 02:45 – Why REDs depreciate (support, parts, ecosystem) 03:14 – What still makes the Dragon-X special 03:26 – Legendary sensor and color science 03:48 – RAW flexibility and workflow 04:07 – Accessory scarcity and long-term viability 04:23 – Experimental slide projections for the film 05:04 – RAW media costs and storage issues 06:30 – How the inserts fit into the film 06:46 – Why I’m fully switching to Sony 07:04 – Image match between RED and FX9 07:24 – RED’s biggest workflow issues 07:37 – Nikon acquisition and value collapse 07:56 – Final thoughts and sign-off