Guru Nanak’s Aarti | Anantvir Singh, Aruna Sairam, Amrita Kaur, Zeeshan Ali скачать в хорошем качестве

Guru Nanak’s Aarti | Anantvir Singh, Aruna Sairam, Amrita Kaur, Zeeshan Ali

Guru Nanak's Aarti Based on the original melodic tune by Principal Ustad Sukhwant Singh ji, the composition was developed and rendered by Aruna Sairam, along with four artistes - Anantvir Singh, Amrita Kaur, and Zeeshan Ali. This unique collaboration brings together diverse musical traditions and vocal excellence, creating a harmonious blend that transcends boundaries and speaks to the universal spirit of devotion. Guru Nanak’s Message of Peace through Music is part of Darbar’s ‘Liberators of Humanity’ series of events that celebrate the great spiritual masters which used sacred text and Indian classical music to for Sufi, kirtan and bhajans to elevate the human spirit. Gagan mein thaal rav chand deepak banay The sky is the platter, the sun and moon are the lamps Taarikaa mandal janak motee The stars in the heavens are the pearls Dhoop malaanlo pavan chavro karay Sagal banrai phoolant jotee The fragrant winds are the incense, all forests the flowers Kaisee aartee hoay bhav khandanaa What a beautiful aarti this is, O Destroyer of fear! Teree aartee anhataa shabd vaajant bhayree The unstruck melody resounds like the sound of temple drums Sahas tav nain nan nain hai tohi kau You have thousands of eyes, yet no eyes Sahas moorat nanaa ek tohi Thousands of forms, yet no form Sahas pad bimal nan ek pad Thousands of feet, yet no feet Gandh bin sahas tav gandh Thousands of fragrances, yet no fragrance Iv chalat mohi In all creation, Your divine light shines Sabh meh jot jot hai soay Tis kai chaanan sabh meh chaanan hoay Gur saakhee jot pargat hoay By this illumination, everything is illuminated Through the Guru’s teachings, this divine light is revealed Historical context and significance of the Aarti When Guru Nanak visited the famous Jagannath Temple in Puri around 1506, he witnessed the evening aarti ceremony - a Hindu ritual involving lamps, flowers and incense for the deities, accompanied by bells and the sound of the conch. Instead of joining in with the congregation, Guru Nanak contemplated the aarti from a distance. When asked why he wasn’t taking part, he recited his own version, which was expanded to include the whole cosmos in continual divine worship. Guru Nanak, through this aarti, challenged orthodox ritualism and presented a revolutionary vision of worship. About Raag Dhanasari: Dhanashree creates an atmosphere of deep devotion and contemplative peace through its distinctive melodic structure. Traditionally performed during the early evening, this raag is characterised by its somewhat serious mood, the prominent use of komal ni (flat seventh) and komal ga (flat third) and its ability to evoke spiritual sentiment. About the project: Performance Date: 6th April, 2025 Venue: Recorded at the Barbican Centre on 6 April 2025, as part of the artistic collaboration titled ‘Guru Nanak’s Message of Peace through Music’. ‘Guru Nanak’s Message of Peace through Music’ was dedicated to exploring how Guru Nanak’s timeless message of equality, compassion, and spiritual awakening continues to resonate through the musical traditions he helped to establish. Music was integral to Guru Nanak’s mission. He travelled extensively with his faithful companion, Bhai Mardana, a Muslim rababi (rabab player), and together they used music to convey profound spiritual truths in a form accessible to all, regardless of caste, creed, or social standing. The concert was set to honour that tradition of inclusivity and spiritual elevation through music. Musicians Aruna Sairam (carnatic vocals) Zeeshan Ali (sufi vocals) Bhai Anantvir Singh (kirtania) Amrita Kaur (kirtania) Momin Khan (sarangi) Patri Satish Kumar (mridangam) Giridhar Udupa (ghatam) Surdarshan Chana (tabla & jori) Gurdain Rayatt (tabla) Beibei Wang (da ga drum) Darbar Team: Sandeep Virdee OBE (Artistic Director) Simrat Lall (Darbar Festival Manager) María Guardiola (Festivals and Events Manager) Depesh Patel (Events Manager) Esther Trienekens (Head of Programmes & Partnerships) Priyanka Godinho (Administrator and Accounts) Harpal Manku (Academy Manager) Divya Kulkarni (Academy Administrator) Jamie Craven (Head of Design) Rahul Ravindran (Creative Video Editor) Sana Ejaz (Marketing Executive) Zahabiya Patharia (Marketing Executive) Christoph Bracher (Head of Sound) Rehmat Rayatt (Photographer) Pritpal Sagoo (Head of Production) Gurwinder Soor (Techical Production) Tom Grancia (Technical Production) Carl Owen (Camera Operator) Chris Connel (Camera Operator) Anup Parmar (Camera Operator) Nick Morchang (Camera Operator) ________________________________________________________________ Darbar believes in the power of Indian classical arts to stir, thrill and inspire. All Rights Reserved ©2025 Darbar Arts Culture Heritage Trust