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#文物修復 #陶瓷 【「元青花:景德鎮考古新發現」——這次展覽的新嘗試(陶瓷修復師篇EP.4) 】 最後一集,景德鎮御窯博物院修復室負責人郝國江提到,文物修復與展陳設計之間必須建立良好溝通,讓文物保護、展示與活化相互配合,才能達到最理想的狀態。 修復團隊從展覽設計初期開始,已參與討論展示方式。修復師最常直接接觸文物,相當清楚哪些細節值得呈現,這次展覽就主動將修復師的理念納入展陳設計之中。 本次修復的器物缺損格外嚴重,卻具有極高的歷史與學術價值,因此團隊在修復要求上更為嚴格,並大膽嘗試多種新方法,希望更細緻地展現製瓷工藝,加深觀眾對陶瓷生產的理解,並鼓勵觀眾分享觀展的想法與經驗,互相進步。 歡迎親臨文物館參觀「元青花:景德鎮考古新發現」展覽! 展覽日期:即日至2026年3月29日 展覽地點:香港中文大學文物館羅桂祥閣利孝和陸雁群伉儷展覽廳 展覽詳情:https://www.artmuseum.cuhk.edu.hk/zh/... 合辦:香港中文大學文物館、景德鎮御窯博物院 首席贊助:北山堂基金 策略伙伴及贊助:利希慎基金 借展單位:香港藝術館 支持單位:浙江錢塘高等研究院、景德鎮陶瓷大學考古文博學院 影片拍攝及製作:景德鎮御窯博物院 雙語字幕:香港中文大學文物館 #Conservator #Ceramics 【“Yuan Blue and White: New Discoveries from Jingdezhen” — Experimenting with New Approaches (Ceramics Conservator Edition EP.4) 】 In the final episode, Hao Guojiang, Head of Conservation Department at the Jingdezhen Imperial Kiln Institute, mentions that close communication between conservators and curatorial team is essential: only when preservation, display, and revitalisation work together can cultural relics be shown at their best. In this exhibition, the conservation team joined discussions on display methods from the start of the exhibition design. As they work most closely with the artefacts, they often have a sharper sense of which details to highlight. This exhibition allows them to incorporate their ideas directly into the exhibition plan. Although the artefacts in this exhibition are badly damaged, they have outstanding historical and academic value. The team were therefore more demanding and experimented with new approaches, hoping to show the craftsmanship of porcelain‑making in greater detail, deepen the audience’s understanding of porcelain production, and encourage visitors to share their thoughts and experiences. Visit us to explore “Yuan Blue and White: New Discoveries from Jingdezhen” exhibition! Exhibition Period: From today to 29 March 2026 Venue: Harold and Christina Lee Gallery, Lo Kwee Seong Pavilion, Art Museum, The Chinese University of Hong Kong Exhibition Details: https://www.artmuseum.cuhk.edu.hk/en/... Jointly Presented by: Art Museum, The Chinese University of Hong Kong and Jingdezhen Imperial Kiln Institute Lead Sponsor: Bei Shan Tang Foundation Strategic Partner and Sponsor: Lee Hysan Foundation Lender: Hong Kong Museum of Art Supporting Organisations: Tsientang Institute for Advanced Study and School of Archaeology and Museology, Jingdezhen Ceramic University Filming and Production: Jingdezhen Imperial Kiln Institute Bilingual Subtitling: Art Museum, The Chinese University of Hong Kong