Scriabin - Op. 53 Sonata No. 5 (Gavrylyuk) скачать в хорошем качестве

Scriabin - Op. 53 Sonata No. 5 (Gavrylyuk)

I call you to life, mysterious forces! Drowned in the obscure depths of the creative spirit, timid Embryos of life, to you I bring audacity!    / @nytb4773   If I had to choose 10 of the most important post-romantic sonatas, Scriabin's 5th sonata would definitely be up for consideration. The 5th Piano Sonata is arguably by academic consensus Scriabin’s magnum opus for the instrument. The harmonies in the piece are in my view the start of Scriabin's turning point towards his full maturity and shift towards synthetic harmonies. While the harmony is quite advanced and seemingly heuristic, the structure of the piece is almost a textbook definition of what a sonata form looks like. Scriabin's 5th sonata showcases his first use of one-movement sonata, a form he would use in his other sonatas onwards. The 5th sonata's radical harmonic shift can be traced back to his 4th sonata which is, in essence, his first programmatic mysticist piece. The 4th sonata. while not as harmonically unstable as the 5th, foreshadows his synthetic harmonic system and increase tendencies to stray away from tonality. The 5th is no exception. As his interest in mysticism grew his music sought to conceptualize this. The 5th sonata aligns itself as a symbolist and at times expressionist work and the sonata's sonic world is truly a mystical voyage. “I am God! I am nothing, I am play, I am freedom, I am life. I am the boundary. I am the peak.” –Alexander Scriabin