Oddball Fives: Volume 1 (1921-1925) скачать в хорошем качестве

Oddball Fives: Volume 1 (1921-1925)

Oddball Fives: Volume 1 (1923-1925) Original Louisiana Five (BD&M, 1924) 1. San [0:00] 2. The Hoodoo Man [3:07] 3. Louisiana Toddle [6:12] 4. Too Tired [9:07] Arthur Hall acc. Original Georgia Five (Olympic, 1923) 5. Maggie! Yes Ma’am! Come Right Up the Stairs [11:54] 6. Yes! We Have No Bananas [14:44] Indiana Syncopators (Olympic, 1923) 7. Sweet Lovin’ Mama [17:48] 8. Bee’s Knees [20:42] Syncopating Skeeters (Bell, 1923) 9. Loose Feet [23:58] 10. Telephone Blues [27:06] St. Louis Rhythm Kings (Columbia, 1925) 11. She’s My Shes, I’m Her Sheik [30:05] 12. Papa De-Da-Da [33:23] Maggie Jones acc. St. Louis Rhythm Kings (Columbia, 1925) 13. He’s Just a Horn Tootin’ Fool [36:26] 14. Go Get ‘Em Caroline [39:38] Lindsey McPhail’s Jazz Orchestra of Chicago (Olympic, 1921) 15. Zowie [42:53] Transferred with 3.0ML lateral VM670SP and 3.0ML lateral VM95SP cartridges via an Audiotechnica AT-LP120 Turntable. Discs from Colin Hancock Collection. Discographical Information from Rust’s “American Dance Bands,” Rust’s “Jazz Records,” DAHR, Horst H. Lange’s “The Fabulous Fives,” Ralph Wondrasheck, Javier Soria Laso, and Mark Berresford. In the wake of the success of the Original Dixieland Jazz Band, many groups modeled themselves both stylistically and instrumentally after the groundbreaking New Orleans musicians. Of these bands none was more successful than the Original Memphis Five, and they too ushered in a wave of imitators ranging from fantastic to unforgiving. This set of 15 tracks, the first in a new series, highlights these “oddball” five piece bands, who recorded for a variety of phonograph labs, including rare labels like Olympic, Arto, and BD&M. This volume focuses on six bands, all recorded in New York between 1921 and 1925. Included are tunes by the “Original Louisiana Five,” an entirely different band from Anton Lada’s Louisiana Five (or by that time Louisiana Orchestra), pianist Ernest Borbee’s “Original Georgia Five” accompanying the great Arthur Hall on vocals, the Indiana Five’s first session, the mysterious Syncopating Skeeters–ragged and obscure, the bouncy and bluesy St. Louis Rhythm Kings (including two fine accompaniments to African-American blues singer Maggie Jones, and the lone side by pianist and composer of “San” Lindsey McPhail’s Chicago group.