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In the late 1700s, one volcano became an obsession for Europe's greatest artists. They painted it over and over, thirty times, forty times, some spending years on a single canvas. Why? Mount Vesuvius. The volcano that buried Pompeii in AD 79. When archaeologists rediscovered the lost city in 1738, Vesuvius transformed from a geological feature into a cultural phenomenon. Pierre-Jacques Volaire painted it at least thirty times over thirty years, selling eruption scenes to wealthy Grand Tour tourists as expensive souvenirs. Joseph Wright of Derby painted it over thirty times, despite never witnessing an actual eruption. Karl Bryullov spent three years creating a 15-foot masterpiece that made him the first Russian painter with an international reputation and inspired Edward Bulwer-Lytton's bestselling novel. These weren't just paintings. They were spectacle. Disaster tourism before cameras existed. The birth of Romanticism, the moment artists started painting nature's terrifying power instead of calm, ordered Neoclassical scenes. Sir Walter Scott studied Bryullov's painting for an hour and called it an "epic." The Russian historian Jules Michelet wrote that it captured the fragility of civilization itself. Wealthy tourists paid fortunes for volcano paintings to prove they'd witnessed the sublime. And the strangest part? Most of these artists painted imagination, not reality. Wright invented his eruptions. Bryullov reconstructed a disaster that happened 1,750 years before he was born. Volaire painted the same theatrical night scene over and over because that's what sold. Their paintings became more famous than the actual disaster. More people know Bryullov's Last Day of Pompeii than know the real history of Pompeii. Now all three artists' works hang in museums worldwide, the State Russian Museum in St. Petersburg, Tate Britain, Yale, the Huntington Library, testaments to the moment when one volcano changed art history. The Last Day of Pompeii, Karl Bryullov, Joseph Wright of Derby, Pierre-Jacques Volaire, Mount Vesuvius, Vesuvius eruption, Pompeii painting, Romantic art, Grand Tour, volcanic paintings, sublime landscape, 18th century art, Russian painting, disaster art, Neoclassicism vs Romanticism, art history, famous paintings, volcano obsession, Edward Bulwer-Lytton, Italian art, Naples tourism, archaeological discovery, Herculaneum