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Admiration is, according to Descartes, a primary passion that arises when observing something rare, extraordinary, unexpected, or surprising. The virtuosic repertoire of the Baroque, laden with stravaganza, is one of the most suitable vehicles for arousing this indescribable amazement in the listener. This is particularly true of Corelli's Sonatas Op. 5 (a model of virtuosity throughout the 18th century) and Biber's Rosary Sonatas (a collection that was little circulated in its day and which brings together secular and religious elements in equal measure). Arcangelo Corelli (1653-1713) Sonata in D Major, Op. 5 No. 1 00:00 Grave – Allegro – Adagio 03:27 Allegro 06:00 Allegro 07:08 Adagio 10:05 Allegro Heinrich Ignaz Biber (1644-1704) Violin Sonata in F Major, C 140 12:03 Adagio-Presto 13:51 Aria e Variatio 19:43 Variatio Rosary Sonata No. 13 in D minor, “The Coming of the Holy Spirit at Pentecost” 25:50 [No tempo indication] 28:30 Gavotte 29:39 Gigue 31:09 Sarabande Arcangelo Corelli (1653-1713) 33:09 Sonata in D Minor, Op. 5 No. 12, “La folía” Heinrich Ignaz Biber (1644-1704) Rosary Sonata No. 15 in C Major, “The Coronation of the Virgin as Queen of Heaven and Earth” 44:22 [No tempo indication] 46:05 Aria 52:24 Canzon 54:39 Sarabanda Rosary Sonata No. 1 in D Minor, “The Annunciation” 58:11 Aria allegro - Variations 1:00:15 Finale Daniel Sepec, violin. Hille Perl, viola da gamba. Lee Santana, theorbo. Michael Behringer, harpsichord Concert “Admiration”, from the series “The Passions of the Soul” https://www.march.es/es/madrid/concie... 30 October 2015 ______________ Concerts at Fundación Juan March: https://www.march.es/en/madrid/concerts More videos at https://canal.march.es/es/explorar/mu... Instagram: / fundacionmarch X: / la_march_madrid Facebook: / fundacionmarch Medium: / fundacionjuanmarch #Corelli #Biber #MarchVivo