點石成液 No Time To Die: An Inert Liquid Assembly (2025) - highlight скачать в хорошем качестве

點石成液 No Time To Die: An Inert Liquid Assembly (2025) - highlight

點石成液 No Time To Die: An Inert Liquid Assembly (2025) 唐納天 Nadim Abbas x 陳偉洛 Chan Wai-lok 西九演藝「自由舞2025」節目之一 A programme of Freespace Dance 2025 by WestK Performing Arts 裝置・演出 installation・performance 擁抱停滯流動 - 黏稠、惛鈍、斑駁 Embracing a counter-logistics of movement – sticky, obtuse and worn 當生活被資訊填塞飽和，人們再無法聚焦，持續分心的精神狀態已經成為現代人的常態。兩位創作人試圖探問在科技發展與經濟流動性的浪潮下，物件／物質的價值如何。 現今推動世界運行前進的無形力量，與其說是人們對物質的慾求，其實由消費資訊所取代。這將如何影響我們在一個無物可抓、無從定位的境況裡頭，尋索乃至塑造自身的脆弱存在？飄浮在教人怠惰的數位海洋，甘願投進物流式的身體操作，享受浸沒在停滯黏稠低效能生產的湧動之中。 既是裝置展覽（日間）又是裝置・演出（晚上），在兩個時空中形成灰色地帶。《點石成液》邀請觀眾從中經歷不同層次的意狀氛圍。驟看表演者似是在體現一種以「靜默放棄」作為低限存在的社會性精神狀態。但在怠惰之中又湧動著一股動能，有如被遺忘的包裝物料，圍繞著永遠缺席的物品，在不斷拆解與重組。這是否在對當下虛幻的真實的一種構想？ Taking as their starting point the prolonged experience of distracted attention that characterises the day-to-day life of information-saturated urban dwellers, Chan and Abbas pose questions about the value of things swept up by the twin waves of economic fluidity and technological progress. If the nebulous forces driving the world forward today have less to do with possessing things than with consuming information, how does this affect our ability to navigate, let alone shape our own precarious existence, with no-thing to grasp and find one’s bearings? Enter a logistics of movement that does not attempt to escape from the straitjacket of digital lethargy, but rather embraces immobility like an accomplice from the sticky shores of inefficiency and purposelessness. Occupying a gray zone between exhibition (by day) and performance (by night), “No Time To Die: An Inert Liquid Assembly” invites audiences to encounter the piece via different levels of immersion and engagement. On immediate impression, the performers actions may be likened to the social phenomenon of “quiet quitting”, a term used to describe the passive defiance of employees contributing with only the bare minimum of work required. However, there remains an enigmatic ambiguity in this refusal to perform, simultaneously reflected by the mute and paradoxically performative inventory of packaging material, perpetually dismantled and re-formed around an ever-absent product. Could this be an imaginary capture of the real unreality of the world today? //////////////\\// 創作及製作團隊 Creative & Production Team 概念/視覺藝術家 Concept/Visual Artist 唐納天 Nadim Abbas 概念/編舞/演出 Concept/Choreographer/Performer 陳偉洛 Chan Wai-lok 創作演出 Creative Performers 李嘉雯 Carman Li 胡日禧 Woo Yat-hei 張兆熹 Cheung Siu-hei 朱仟青 Chu Chin-ching 作曲家 Composer nnscya 監製 Producer 黎蘊賢 Orlean Lai 燈光設計 Lighting Designer 劉銘鏗 Lau Ming-hang 服裝設計 Costume Designer 馬嘉裕 Trista Ma 製作助理 (場域構作及服裝）Production Assistant (Scenography & Costume) 陳沁昕 Tap Chan 燈光助理 Lighting Assistant 許穎恩 Hui Wing-yan 製作經理 Production Manager 李佳琳 Nickole Li 舞台監督 Stage Manager 唐梓靜 Sugar Tong 執行舞台監督 Deputy Stage Manager 張晴 Trini Chong 聲響工程師 Sound Engineer 陳衍昊 Bu Chan 計劃統籌（行政）Project Coordinator (Admin) 蕭朗宜 Lorin Siu 裝配／裝置 Fabrication/Installation 雲土設計 Cloudland Sculpture Ltd. 錄像紀錄 Video Documentation 張百銘 Cheung Pak-ming 黃瑋納 Wong Wai-nap 彭家浩 Pang Ka-ho 錄像剪輯 Video Editing 張百銘 Cheung Pak-ming 黃瑋納 Wong Wai-nap /////////||// 策劃、製作及主辦 Curated, produced and Presented by No Discipline Limited 聯合主辦 Co-presented by 西九演藝 WestK Performing Arts 項目計劃資助 Project Grant 藝能發展資助計劃 Arts Capacity Development Funding Scheme 香港特別行政區政府 HKSAR Government //////////||// No Discipline Limited www.nodisciplinelimited.hk IG: / no_discipline_limited FB: / nodisciplinelimited #nodisciplinelimited #theatre #contemporaryart #choreography #dance #nondance #performance #performative #experimental #hybridperformance #intermedia #interdiscipline #sound #sonic #scoundscape #movement #notimetotie #liquidmodernity #nonthing #quitequitting #liquideconomy #NadimAbbas #ChanWaiLok #hongkongart #hongkongdance #hongkongperformance #hongkongtheatre #conceptual #westk #westkperformingart #freespacedance #freespace