Why This Criminal Poet Wrote his last Poem Before His Execution скачать в хорошем качестве

Why This Criminal Poet Wrote his last Poem Before His Execution

Epitaph in the Form of a Ballad (1463) -François Villon’s Written in 1463 by the vagabond poet François Villon while he awaited his own execution, the "Epitaph in the Form of a Ballad" serves as the ultimate "Flesh-Debt" paid in verse. It is a work that exists at the "Edge of Doom," transfiguring the "Sullen Earth" of the gallows into a visceral "Marriage of Minds" between the living and the dead. By speaking from the collective perspective of the hanged, Villon performs an "Ontological Reset" on the social hierarchies of Paris, inviting the reader into the "Obsidian Vein" of common mortality. The poem is a study in "Stark Realism," documenting the "Systemic Erasure" of the individual visage through the brutal indifference of nature. Villon describes the "Architecture of Decay" with clinical precision: the sun "blackens" the skin, the rain "washes" the corpses, and the birds perform the final "Sovereignty of the Void" by hollowing out the eyes. This is the "Raw Skeletal Fact" of existence—a reminder that the "brightness" of one's earthly life is merely a temporary reprieve from the "Thresher’s Breath" of time and the law. Ultimately, the ballad serves as a "Bone-Map" to the afterlife, concluding with a desperate plea for mercy that seeks a "Final Homecoming" through divine grace. Villon acknowledges that while his books could not open the "Doorless Door" of the Châtelet prison, his voice can still reach across the threshold to find an "Unshaken" sanctuary. The poem remains a "Fixed Star" of the macabre, teaching us that the only true "Link of Beauty" in a world of "Gilded Rot" is the courage to ask for mercy at the moment of our total "Unmaking." Video Chapters. 0:00 introduction 0:40 The criminal poet 1:02 The incident 1:28 Where he wrote 2:22 Solidarity 2:57 The poets power given to the poem 4:23 the conclusion