Schumann - Introduction and Allegro, Op.92 (1849) скачать в хорошем качестве

Schumann - Introduction and Allegro, Op.92 (1849)

Robert Schumann (8 June 1810 – 29 July 1856) was a German composer and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. He had been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing. Please support my channel: https://ko-fi.com/bartjebartmans Introduction and Allegro appassionato in G major, Op.92 (1849) Roger Boutry, piano and the Chamber Orchestra of the Saar conducted by Karl Ristenpart Description by John Palmer [-] Sketched September 18-20, 1849 and orchestrated by September 26, the Introduction and Allegro appassionato in G major, Op. 92, was first performed on February 14, 1850, in Leipzig. The work was published by Whistling in 1852. Like the "Concerto" for four horns, Op. 86, the Introduction and Allegro appassionato in G major, Op. 92, received the title, "Konzertstück" (Concert Piece). Thus, Schumann recognized that such works did not fit into any of the molds brought to mind by other terms. Unfortunately, the Introduction and Allegro appassionato, Op. 92, has always been overshadowed by Schumann's Piano Concerto, Op. 54, although the later piece marks a significant stylistic departure for the composer. Schumann conceived the Introduction and Allegro appassionato while immersed in the works of Lord Byron. He had only recently worked on his Manfred overture, Op. 115, inspired by Byron, and would soon begin setting Byron in the Hebrew Melodies, Op. 95. Schumann translated the heroism depicted in Byron's poetry into a work for piano and orchestra. Critics disagree concerning the importance of the Introduction and Allegro appassionato, some calling the work uninspired while others claim it is an important example of Schumann's mature style. Certainly, it is a unique structure in its single-movement format with multiple sections and unusual processes of development.