Sarasa Nayana Sarasa 🔸 Gangatarangini 🔹 Ramaswamy Dikshitar 🔸 Dr. M Balamuralikrishna (28.10.1977) скачать в хорошем качестве

Sarasa Nayana Sarasa 🔸 Gangatarangini 🔹 Ramaswamy Dikshitar 🔸 Dr. M Balamuralikrishna (28.10.1977)

🔸One a cold winter morning in Bangalore, some 45 years back (28.10.1977), many connoisseurs’ of music, great music vidwans and rasikas gathered to watch a lecture demonstration by Dr. M Balamuralikrishna (BMK) on a topic “Rare Songs in Rare Ragas”. 🔹What you are going to listen is an excerpt from the proceedings of that eventful programme. The recording quality, unfortunately, was quite average and the same has been attempted to make it audible to an extent. The main objective of this love of labour is for the hope of its posterity and to possibly to inspire those who are interested to learn and sing these rare gems. 🔸Here, BMK presents a palindromic kriti with palindromic notations, a composition of Ramaswami Dikshitar (father of Muthuswami Dikshitar) – Sārasa Nayana Sarasā in the rāga Gangātarangini. 🔹This is an anulōma-vilōma kriti (a palindromic composition) expresses the power of grammar and brilliance of the composer in using the same mono-syllable in brining out different meaning. The sāhityam, when read normally (anulōma), and in the reverse order (vilōma) yields the same text. Additionally, the musical notes employed also follow the same rule. BMK beautifully explains and renders the same. Here is the full lyrics. sā rasanayana sarasā sā ratararatarasā ||P|| māratāta tāramā mānita madhyama tanimā tārapabhā paratā tāpitā vayava tāpitā ||A.P|| bhārambhā tamita bhārambhā bhāva rāga tāḷa tāga rāvabhā bhārate tava ta te rabhā sānapatitapatita manasā hāra vidhi rodhivirahā hāvanana tāna navahā sāratu metu me sarasā sakhi Veṅkaṭakr̥ṣṇa sarasa ||C|| 💐Acknowledgements: I am grateful to Sri. Balakrishna, Bangalore for curating the audio tape and for sharing the same for the purpose posterity.