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The goal of this session was to explore Matrixbrute firmware update 2.0 features by using additional custom modulation routings, a custom drawn LFO shape, Midi tempo sync and CC input via wiimote motion control. Matrixbrute in duo split mode with lower voice set to sequencer-arpeggiator mode OSC 1 & 2 tuned one octave apart set to square wave with PW controlled via Midi CC 69 (OSC 1 PW) and CC 75 (OSC 2 PW) assigned to the wiimote’s pitch axis. The wiimote is programmed to only output CC values for this motion axis when the A button is also pressed so I can set discrete PW values by tapping the button or sweep between values by holding it. VCF 1 Steiner in 24dB/Oct bandpass mode with healthy amounts of drive / brute factor / resonance for texture. Filter receives modulation from LFO1, Red Noise, and Midi CC 23 (VCF 1 Cutoff) assigned to the wiimote’s roll axis. The wiimote is programmed to only output CC values for this motion axis when the B button is also pressed so I can set discrete cutoff values by tapping the button or sweep between values by holding it. OSC 3 set to square wave. VCF 2 Ladder in 12dB/Oct Lowpass mode with healthy amounts of drive / brute factor / resonance for power and harmonics. LFO1 modulates VCO 1 Level, VCO 2 Level, OSC 1 Square Level, and OSC 2 Square Level in varying depths / directions to introduce some amplitude variations into the melodic voice. M1, M2 and Modwheel are used to control a 2HP tune quantizer via CV routed out the column 2 VCO 1 Ultrasaw CV output. The mod wheel gives direct control over the quantizer from low to high pitch, while M1 controls LFO 2’s input depth to the quantizer, and M2 controls LFO 1’s input depth. They can be freely combined or used separately, with the mod wheel acting as an offset when the signals are combined. M1/LFO2 sends a custom waveform LFO to the quantizer M2/LFO1 adds random voltage offset for variation. This particular 2HP quantizer eurorack module only accepts positive +5v CV which always used to really frustrate me when connecting it to the Matrixbrute’s bipolar LFO’s, however the new custom LFO shape you can create unipolar LFOs by drawing on just the upper half of the display. In this case I effectively used LFO2 as a mini sequencer for the pitch of OSC 1 & 2. LFO2 is tempo synced and controlled via Midi CC 93 (LFO 2 Rate) assigned to the willmote’s roll axis. I limited the range of this control to 50% in software so it would be more musical. There’s also some of the Matrixbrute’s built in stereo delay for additional depth. The software I’m using for the wiimote is called osculator. Versatile and fun midi / OSC routing tool for MacOS. https://osculator.net/ Microfreak in Harmonic mode set to paraphonic voicing. Tempo synced to the Matrixbrute via MIDI. Slow envelopes with lots of decay and slow random modulation from cycling envelope and LFO on the oscillator parameters for textural variation. Plays a randomly generated arpeggio based on the same notes as the bassline. I randomly switch it between 1/4 and 1/8 notes at a few points. Running through source audio Nemesis in noise tape mode with lots of feedback and modulation. Audio recorded direct into iPhone XR with iConnectAudio4+ interface. Want to hear more music? Check out my most recent release Elder Skeleton - The Return on Spotify or your favorite music streaming service https://open.spotify.com/artist/7HjfG... / elder-skeleton #arturia #matrixbrute #synth #microfreak #synthesizer