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00:00 Practice Thing 01 ~ Intro 00:48 Practice Thing 02 ~ Happy Ending 01:09 Practice Thing 03 ~ Peace in My Home Land 02:49 Practice Thing 04 ~ More is to Come! 03:14 Practice Thing 05 ~ Hero's Determination 03:49 Practice Thing 06 ~ The Sea 04:32 Practice Thing 07 ~ Logo 05:08 Practice Thing 08 ~ Terminal Hardships 05:47 Practice Thing 09 ~ Escape from the Ruins 06:10 Practice Thing 10 ~ Risky Plan 06:46 Practice Thing 11 ~ Star-struck 08:39 Practice Thing 12 ~ Death March 09:39 Practice Thing 13 ~ Russian Romance 10:59 Practice Thing 14 ~ Moving On··· 12:24 Practice Thing 15 ~ Crazy Bastard 01: The way I made the lead sample here is quite··· odd. I have this sample where I recorded my bug zapper zapping, and I decided to play with it a little. I realized it'd do a weird, FM-like effect when I'd lay its notes out in a chromatic scale and play it at the highest speed allowed in my tracker (255 BPM, 01 speed), and went with a sample recorded with it. I then removed the noise in the waveform, preserving only the main shape, and ended up with a filtered saw-like sample. Then, I came up with a melody in A minor for it, using a guitar sample I made from a simple waveform one playing a chord. I wish I could make it longer. 02: Very chiptune-y. In fact, this is just a simple chiptune. I had to give my simple waveform samples some attention, and so I decided to grab my triangle one and make a pulse-like one from another waveform sample, because the original sounded too harsh. The echo effect here really gave it a much better feel, on top of it being in F major. 03: Originally, this was only 2 patterns long. 1 and 2 were the only ones you'd hear, in a loop. So today, just before deciding to record this compilation, I decided to extend it a little with the triangle that'd only serve as the bass. The result is somewhat listenable, I'd say. 04: Same sample set, I ended up quite liking it. This is something that rarely happens. The thing is super short, but I think the melody is decent at least. More on that later. 05: This came out better than I was expecting. What really stopped me from making this an actual banger was my limited imagination for a melody that'd fit with what I already composed. It's in a key I never really composed on (E-flat minor), and the bass line is somewhat resemblant of New Messiah from Castlevania II. I should give more attention to a formula like that. 06: If you've ever listened to Chopin, this might ring a bell. I pretty much just made my own knockoff version of his Waterfall étude, which is even in the same key, C major. Heh. 07: I was aiming for something with a rhythm that didn't feel so rigid like I usually compose. The result is this short piano thing, which I think is a reasonable start. 08: C minor, my beloved. I might have done it dirty here, however. But that's because I had a slightly bigger focus on the percussion rather than the melody, and so this is how it turned out. It ain't much, but it's honest work! 09: This might feel like something that was quickly scrapped to you. That's because it was, sorta. I need to get better at composing in B minor··· 10: Finally gave attention to G minor here. And the result isn't even that bad! Although it's a little repetitive, which I tried to mask by adding these chords. 11: I rarely cook like this. Even the melody itself shows how I felt when composing this, because of how good it was turning out to be. D major really was a great choice for this! 12: B minor, but done decently here. I think the triangle bass gives it a much more "ominous"-sort of vibe, which is really what I was aiming for without sounding like an ear rape. It's short, however. 13: This is why piano is still my favorite instrument, despite me no longer playing it. This F-sharp minor melody doesn't even sound like it was composed by myself because of how great it sounds! 14: Someone ripped Super Mario Advance 4's samples, and so I wanted to try them. I grabbed the Acoustic Piano one, and this is what I came up with. Not bad, and it even sounds way too gloomy for what I'm used to hearing. I dunno how I pulled this off. Also, this was supposed to be only played once. However, I realized mid-recording it also sounded great when letting it loop, so why not? :) 15: Hah, that's one way of ending it. This was also made entirely with SMA4's samples, and it turned out to be great. I think my idea of making it switch between D minor and G minor is what made this sound so funky. They're somewhat related keys. So yeah, would you also believe me if I told you I actually came up with these titles only when writing this video's description? I didn't want the chapters to sound dull, so that's the solution I came up with. It's actually amazing how I was able to come up with 15 tunes over the span of a few weeks, when last time I had 17 tunes composed over the course of _years_. Is my creativity finally blooming, for once? Also, did you really read thru all of this?