Raga Puriya Dhanashree | Vidushi Dr. Ashwini Bhide Deshpande скачать в хорошем качестве

Raga Puriya Dhanashree | Vidushi Dr. Ashwini Bhide Deshpande

Mesmerizing rendition of sandhiprakash Raag Puriya Dhanashree by Vidushi Ashwini Bhide Deshpande at Billings Auditorium, UVM Burlington, Vermont, USA on 24 April 2010. She was accompanied by Pt. Vishwanath Shirodkar on Tabla and Smt. Seema Shirodikar on Harmonium . 00:00 - Vilambit Khayal: Hari Ri Main To Hari 39:49 - Drut Khayal: Ho Piya Ja Re Ja ______________________________________________________ Raga: Puriya Dhanashree Taal: Teentaal(Vilambit) Ektaal(Drut) Compositions: Hari Ri Main To Hari Ho Piya Ja Re Ja Vocalist: Vidushi Dr. Ashwini Bhide Deshpande Style: Jaipur-Atrauli Gharana Tabla: Pt. Vishwanath Shirodkar Harmonium: Smt. Seema Shirodikar ______________________________________________________ 📝Lyrics: ************ Hari ri Main To Hari ***************** हारी री मैं तो हारी, पिया तोसे नाहक नेहा लगाये री ॥ दिन नाही चैन, रैन नाही निंदिया, नाहक जीया घबराये री ॥ *********** Ho Piya Ja Re Ja ******************** हो पिया जा रे जा, करो ना हमसे कछु बतिया ॥ तुमसे हम प्रित किनी, निठुर निडर कर छैल, तुमरी मिलवो री खबरीया ॥ ______________________________________________________ About Artists: Dr. Ashwini Bhide-Deshpande: Ashwini Tai belongs to the Jaipur-Atrauli gharana tradition. Ashwini Bhide-Deshpande was born in Mumbai on 7th October, 1960, into a family of music connoisseurs and musicians. She completed her Sangeet Visharad from the Akhil Bharatiya Gandharva Mahavidyalaya. Being a scholar, Ashwinitai also obtained a PhD in Biochemistry from the reputed Bhabha Atomic Research Centre, Mumbai. Ashwinitai‘s journey into classical music began under the tutelage of Narayanrao Datar, who belonged to the Paluskar branch of the Gwalior gharana. Later, her disciplined taleem under her mother, Manik Bhide (who herself was trained under the legendary Kishori Amonkar) was largely made up of learning the traditional aspects of the Jaipur-Atrauli style of raga development and also studying the nuances of raga-music. She then went on to train under Ratnakar Pai, a renowned teacher of the gharana, from whom she received further guidance and a great repertoire of the traditional paramparik compositions and ragas. Because of her influences from the Jaipur-Atrauli, Mewati and Patiala gharanas, she has created her own musical style. She holds a strong command over the three primary saptaks. ______________________________________________________ No Copyrights own.