Birdsong Grateful Dead Transcribing Improvisation Lesson скачать в хорошем качестве

Birdsong Grateful Dead Transcribing Improvisation Lesson

This lesson with Birdsong by the Grateful Dead gets into memorizing some improvised lines in order to gain a deeper understanding of the improvisational art form. My email is bobby@thehallsofmusic.com or bobhallguitar@gmail.com. Timecodes are listed below. Tip jar cashapp is $bobhall14 Venmo is https://venmo.com/u/bobbyhallmusic Bird Song Transcribed Lines from my solo https://thehallsofmusic.com/wp-conten... Create financial liberty for me to more time to create great content   / bobbyhallmusic   Timecodes 0:00 Birdsong Improvisation by Bobby Hall 3:00 Intro to the lesson This video goes over the solo note for note This book goes into detail for chords, scales, and arpeggios is 4 keys Be sure to leave link for this here 4:31 Insights into the time signature They rhythm is a swing time rhythm Can you clap and count a swing time? All exercises and studies will need to have swinging 8th notes 5:11 The harmonic substance of the improvisation The Bm to Esus or Bm7/E chord to the E chord resolves to the E chord Be sure to be able to play the chord progression to make your own backing tracks 5:59 Conflict Resolution The small conflict resolution exists in each phrase of the chord progression The long arcing conflict resolution is important and essential to good story telling 6:46 Phrase One Analyzed This phrase imitates what Jerry plays on the Reckoning acoustic live album This lines resolve to the E chord on the last note on the note B Be sure to know your arpeggios to know how to resolve the lines This melodic line is laid back to create a place to go with the long arcing story 9:03 Phrase One with the metronome at 135 bpm 9:47 Phrase Two Analyzed This line also imitates what Jerry plays The line is broadened in scope by both going higher and lower than phrase one Repetition is a useful tool for improvisation to make it sound convincing Be sure to slow the video down to tempo that is good for you 11:51 Phrase two with metronome at 135 12:36 Phrase 3 first half analyzed This is where the solo starts to lift The lead guitar and bass guitar have the most responsibility for building the dynamics 13:44 Phrase two first half at 135 bpm Be sure slow it down to tempo that is good for you 14:33 Phrase two second half analyzed Get the articulations correct with your right hand 15:27 Phrase two second half at 135 bpm 16:04 Phrase two put together Get the articulations correct and slow it down to tempo that is good for you 16:48 Phrase two put together at 135 bpm 17:33 The Final Phrase Note for Note analyzed This imitates the initial phrase starting on the note F sharp This line resolves to a G sharp on the E chord This phrase comes in on the “and” of beat one 18:52 The final phrase at 135 bpm 19:36 Analyzing the rest of the solo The story telling arc of the solo is vital to its aesthetic impact Being good teammates with bass means following the melodic lines Good listening skills and knowledge of your instrument are needed for this skill The melodic lines do not resolve as pleasantly in this portion to increase the conflict Using the extensions to resolve creates a deeper sense of harmonic color If the lines are note resolved, there is more conflict for the building to the climax The height of the dynamic arc is the Grateful Dead’s addition that they made in the 80s The resolution includes softer dynamic The harmonic device of a suspended sounds happens right before the resolution back to verse The notes A, D, C sharp, and F sharp are used in the melody to create the suspended sound 25:53 Build lines of your own with conflict and resolution with harmony and rhythm 27:20 The Backing Track with no lead guitar