Beethoven Sonata 9 in E-minor Movement 2 Harmonic Analysis скачать в хорошем качестве

Beethoven Sonata 9 in E-minor Movement 2 Harmonic Analysis

#harmonicanalysis #harmony #beethoven #chords #musicanalysis #beethovensonata This is the quick harmonic analysis of the second movement of Beethoven's Sonata no. 9 in E-minor. Beethoven teaches us a few interesting things in this movement when it comes to the harmony: use of secondary dominants and diminished seventh chords to various degrees in the given key (sometimes they are spelt in a different way then how it is indicated by the chord symbol, but sound the same); melodic suspensions (they are not a harmonic movement but happen as a result of leading the melody); pedal points over which passing chords appear (I notated them as regular functions because the pedal is sustained from the previous chord or bar); Italian augmented sixth chord (when respelt enharmonically, they can be seen as bVI7 chord with no fifth - in Italian augmented sixth chord the root note of the key is doubled); the appearance of subdominant after dominant (V - IV); sudden change of the polarity of the main key (bars 49 - 62) from E-minor to E-major (repeated plagal cadence); chromatic chord changes (e.g. bars 3-4 C# dim7 to Am7, similar in 11-12, then 43-44 dm7 to D7) - surprising and interesting. Look for them in the video! The chords are notated in a jazz style and with roman numerals. I hope you find this analysis useful and interesting. Please, don't forget to leave a thumb up and subscribe the channel. Your support and activity allows me to be present on Youtube and develop Makin' Music. The playlist of our harmonic analyses:    • Beethoven's Sonata 14 Moonlight Movement 2...   Quick analyses playlist:    • QUICK ANALYSIS - Chopin Prelude in A-major...   Makin' Music School Facebook:   / makinmusicschool   Makin' Music School Facebook (Poland):   / makinmusicpolska   Makin' Music School Instagram:   / makinmusic_school   Makin' Music School Instagram (Poland):   / makinmusic.pl