Meghan Cosplays Angelina Jolie AND Diana in Jordan | The Royalist скачать в хорошем качестве

Meghan Cosplays Angelina Jolie AND Diana in Jordan | The Royalist

Please LIKE AND SUBSCRIBE!! Read my full piece here on my Substack: https://theroyalist.substack.com/ Meghan Markle dispensed affirmation once again as she and Prince Harry brought their Jordan trip to a close — pinning handwritten notes to a wall at a rehab centre in Amman and, in the process, reviving one of the great recurring motifs of the Sussex era: symbolism so heavy you could trip over it. At the National Centre for Rehabilitation of Addicts, Meghan opted for orange paper and produced a message in the looping copperplate script we are endlessly reminded she once sold as a freelance calligrapher to the rich and aspirational: “Congratulations on your dedication to your care. Wishing you continued healing and happiness.” Harry followed on yellow, his handwriting more functional, faintly schoolboy: “It’s OK to not be OK. Trust each other. Congratulations on your recovery. Now share your courage and experience.” The notes were pinned to a “wall of encouragement,” joining messages from staff and patients — a perfect visual for the California royals, leaving behind a literal paper trail of compassion. But what really caught the eye wasn’t the stationery. It was the styling. This entire tour has felt less like a diplomatic visit and more like a carefully staged cosplay exercise. In Jordan, Meghan appeared dressed almost beat-for-beat like Angelina Jolie on her 2003 UNHCR trip to Tanzania: olive shirt, neutral trousers, sleeves rolled just so. Humanitarian chic, vintage early-2000s edition. And hovering over it all, as ever, was the ghost of Diana. The bedside conversations. The solemn hand-holding. The choreographed intimacy with hospital patients. The studied seriousness. The visual grammar was unmistakable. This is not new. Meghan has always understood the semiotics of the handwritten word and the curated image. From The Tig to Netflix to Instagram mood boards filled with inspirational quotes and careful calligraphy, the aesthetic has been consistent. Most famously, of course, there were the bananas — inscribed with messages like “You are brave” and “You are loved” for sex workers during her brief time as a working royal. Supporters saw kindness. Others wondered whether all the fruit really needed was a nail and a white wall, and Maurizio Cattelan would have been proud. The Jordan trip itself was thick with meaning. Invited by WHO director-general Dr Tedros Adhanom Ghebreyesus, Harry and Meghan leaned hard into trauma and resilience: Syrian refugees at Za’atari, injured children in Amman hospitals, a video call with World Central Kitchen staff delivering meals into Gaza. The language was sober. The optics, immaculate. Buckingham Palace was informed, and the British ambassador was involved, but this was not an official royal tour. Instead, it was another reminder of the Sussexes’ strange constitutional twilight zone: not working royals, yet still performing royalty — borrowing freely from the visual playbook of Diana and Angelina alike. #MeghanMarkle #PrinceHarry #AngelinaJolie #PrincessDiana #Sussexes #RoyalFamily #JordanTour #HumanitarianChic #RoyalCosplay #Calligraphy #BananaGate #CelebrityActivism #TheRoyalist