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One of my favourite feelings while painting in watercolour is when a scene unfolds almost on its own. It doesn't happen every time, but I know that it happens only if I drop any expectations right at the start, and allow curiosity and experimentation take over and guide me during the initial abstract wash. This helps build a strong foundation for a landscape. Let's see how this glowing, autumnal scene came to life. It was a joyful, playful process, and this is what painting in watercolour is all about for me. Materials used: PAPER: Baohong Master's Choice 100% cotton 300gsm cold press paper, 18 x 26 cm (7 x 10 in) PAINTS: Indian Yellow (Schmincke Horadam) Lemon Yellow (Daniel Smith) Cadmium Yellow (Schmincke Horadam) Potter’s Pink (Schmincke Horadam) Burnt Umber (Daniel Smith) Quinacridone Sienna (Daniel Smith) Burnt Sienna (Winsor&Newton) French Ultramarine (Winsor&Newton) Indanthrone Blue (Daniel Smith) Carbazole Violet (Daniel Smith) Perylene Violet (Daniel Smith) BRUSHES: Princeton Aqua Elite Long Round Size 12 NEEF Thomas W Schaller Long Mop Size 0 Panart Global Flat 1121 Size 12 Black Silver by Dynasty Rigger Size 4 Princeton Select Liner Roymac Revolution Taklon Rigger Size 2 NEEF Master's Point Size 3/0 OTHER MATERIALS: Ceramic mixing palette https://www.etsy.com/au/shop/thehaven... MEEDEN Well Palette Hand towel or dishwashing sponge (to dab the brush on to remove excess water) Spray Water Bottle Hair Dryer Pencil Eraser **My website: https://anastasiamily.com/ **My Instagram: @AnastasiaMilyArt Music: Autumn Glow by LightMusic from Pixabay.com