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What can we learn by analysing how ‘oners’ are written on the page? Chas, Stu and Mel reunite to talk about writing the feel of camerawork in screenplays. We use “oners” — a long-playing continuous take — as a lens to talk about how some writers have “directed” from the page. We talk immediacy, camera positions, handovers, and anchoring action and more. We breakdown the famous Copacabana shot from GOODFELLAS, the awe-inspiring chase sequence from THE ADVENTURES OF TINTIN, and the heart pounding ‘Zed attack’ from CHILDREN OF MEN. We also briefly discuss THE BOURNE IDENTITY, HEREDITARY, THE BEAR, ALL THE PRESIDENTS MEN and TOUCH OF EVIL. Podcast available via: https://draft-zero.com/2023/dz-101/ Chapters: 00:00:00 DZ-101 00:00:13 Cold Open 00:00:23 ScriptUp Sponsorship 00:01:58 Intro: Camerwork on the page 00:09:50 Contrary Examples: The Bourne Identity and Hereditary 00:13:15 Narrative Purpose and Oners 00:16:30 Goodfellas - intro 00:16:57 Goodfellas - excerpt 00:18:22 Goodfellas - discussion 00:32:48 The Adventures of Tintin - intro 00:34:14 The Adventures of Tintin - excerpt 00:37:23 The Adventures of Tintin - discussion 00:49:34 Children of Men - intro 00:53:38 Children of Men - excerpt 01:00:32 Children of Men - discussion 01:12:24 Key Learnings and Wrap Up 01:21:03 Thanks to our Patreons We are #sponsored by ScriptUp: https://www.scriptupstudio.com – use promo code DZ10 to get 10% off