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#SoundaryalahariNrithyaGaanam शिवे शृङ्गारार्द्रा तदितरजने कुत्सनपरा सरोषा गङ्गायां गिरिशचरिते विस्मयवती । हराहिभ्यो भीता सरसिरुहसौभाग्यजयिनी सखीषु स्मेरा ते मयि जननी दृष्टिः सकरुणा ॥ ५१॥ śive śṛṅgārārdrā taditarajane kutsanaparā saroṣā gaṅgāyāṃ giriśacarite vismayavatī . harāhibhyo bhītā sarasiruhasaubhāgyajayinī sakhīṣu smerā te mayi jananī dṛṣṭiḥ sakaruṇā .. 51.. O Mother! The expression of Thy look at Siva is characterised by the sentiment of love; at others with that of dislike; at the co-wife Gangā with that of anger; at the hearing of the great deeds of Siva, with that of wonder; at the great serpents forming the ornament of Siva, with that of dread; at the sight of Thy comrades, with that of light-hearted sympathy characterised by a patronising smile; and at me, a devotee, with that of a compassionate expression. And besides, Thy look has the red-tinged loveliness of a lotus flower, indicating heroism. 51. गते कर्णाभ्यर्णं गरुत इव पक्ष्माणि दधती पुरां भेत्तुश्चित्तप्रशमरसविद्रावणफले । इमे नेत्रे गोत्राधरपतिकुलोत्तंसकलिके तवाकर्णाकृष्टस्मरशरविलासं कलयतः ॥ ५२॥ gate karṇābhyarṇaṃ garuta iva pakṣmāṇi dadhatī purām behttuś citta-praśama-rasa-vidrūvaṇa-phale . ime netre gotrādharapatikulottaṃsakalike tavākarṇākṛṣṭasmaraśaravilāsaṃ kalayataḥ .. 52.. O Mother! Thou the flower bud placed on the crest of the Mountain King’s dynasty! These long eyes of Thine, which extend up to the ears, with eye-lashes resembling the feathery wings attached to arrows and which are engaged in disturbing the placidity of the mind of Śiva look like the arrows of Cupid aimed and drawn up to the ear. 52. विभक्तत्रैवर्ण्यं व्यतिकरितलीलाञ्जनतया विभाति त्वन्नेत्रत्रितयमिदमीशानदयिते । पुनः स्रष्टुं देवान् द्रुहिणहरिरुद्रानुपरतान् रजः सत्त्वं बिभ्रत्तम इति गुणानां त्रयमिव ॥ ५३॥ vibhaktatraivarṇyaṃ vyatikaritalīlāñjanatayā vibhāti tvannetratritayamidamīśānadayite . punaḥ sraṣṭuṃ devān druhiṇaharirudrānuparatān rajaḥ sattvaṃ bibhrattama iti guṇānāṃ trayamiva .. 53.. O Consort of Īśvara! Thy three eyes look tricoloured when the black of the beautifying collyrium shines by the side of their natural white and reddish tinges, each keeping its distinctiveness. It looks as if these three colours represent the three Guṇas of Rajas, Sattva and Tamas, which Thou assumest with a view to revive Brahmā, Viṣṇu and Rudra after their dissolution in the Pralaya, and start them once again on the creative activity. 53. पवित्रीकर्तुं नः पशुपतिपराधीनहृदये दयामित्रैर्नेत्रैररुणधवलश्यामरुचिभिः । नदः शोणो गङ्गा तपनतनयेति ध्रुवममुं त्रयाणां तीर्थानामुपनयसि संभेदमनघम् ॥ ५४॥ pavitrīkartuṃ naḥ paśupatiparādhīnahṛdaye dayāmitrairnetrairaruṇadhavalaśyāmarucibhiḥ . nadaḥ śoṇo gaṅgā tapanatanayeti dhruvamamuṃ trayāṇāṃ tīrthānāmupanayasi saṃbhedamanagham .. 54.. O Mother who art ever devoted to Śiva! It seems certain that with Thy kindly eyes having the three colours of red, white and black, Thou presentest to us the confluence of the holy rivers of Soṇa, Gaṅgā and Yamunā to sanctify ourselves (by getting immersed in them). 54. निमेषोन्मेषाभ्यां प्रलयमुदयं याति जगती तवेत्याहुः सन्तो धरणिधरराजन्यतनये । त्वदुन्मेषाज्जातं जगदिदमशेषं प्रलयतः परित्रातुं शङ्के परिहृतनिमेषास्तव दृशः ॥ ५५॥ nimeṣonmeṣābhyāṃ pralayamudayaṃ yāti jagatī tavetyāhuḥ santo dharaṇidhararājanyatanaye . tvadunmeṣājjātaṃ jagadidamaśeṣaṃ pralayataḥ paritrātuṃ śaṅke parihṛtanimeṣāstava dṛśaḥ .. 55.. O Daughter of the king of mountains! Great men say that the closing and opening of Thy eye-lids mark the dissolution and creation of this universe. Therefore it must be to prevent this universe, that has sprung at the opening of Thy eyes, from going into dissolution that Thou dost not wink but keepest Thy eyes always open. 55.