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Experience Arizona’s desert light through the Pentacon Six TL. Shot on medium format film with the Biometar lens, this trip explores the Grand Canyon, Oak Creek Canyon, Sedona, and the quiet geometry of high-desert landscapes. No rush, no autofocus — just slow photography, one frame at a time. Captured with: • Pentacon Six TL • Biometar 80mm / 120mm Captured on: • Ilford FP4 Plus, Ilford XP2 Super, Kodak Gold • Yellow filter (B&W film) • Handheld This series is about composition, stillness, and the way light shapes the desert, the way the monsoon changed the colors and shadows. Inspired by classic American landscape photography — especially Ansel Adams, whose work influenced me since my darkroom days. 00:00 Intro 00:12 Getting the gear ready 00:54 At Grand Canyon – First views 01:43 The Inspiration – Ansel Adams 02:10 Views from the hike 02:27 Grand Canyon in Monochrome 03:40 Oak Creek Canyon 04:28 Sedona in Monochrome and Color My Links: 📷 Flickr Portfolio: https://www.flickr.com/people/henrysc... 🖼️ Prints & Zines: https://photography.myvortexcloud.com... 🟣 Support / Buy Me a Coffee: https://buymeacoffee.com/henryschroeer 🌐 Website & Portfolio: https://photography.myvortexcloud.com/ Q: Why the Pentacon Six TL in Arizona? A: The 6×6 negative, the Biometar rendering, and the way XP2 and FP4 hold up in desert light make it a perfect match - but the heat you need to take in account as a risk for lens shutter. Q: Is the Pentacon Six TL practical for travel? A: Yes, kind of — if you accept its weight (plus the water you carry). For deliberate, slow photography, it’s an excellent companion. You can skip the gym then. Q: Why XP2 and FP4? A: FP4 provides a classic tonal curve that suits canyon walls and sandstone. XP2 manages wide dynamic range cleanly, delivering sharp detailed results. #PentaconSix #PentaconSixTL #Biometar #filmphotography #pentaconsixtl #mediumformat #analogphotography #arizona #grandcanyon #sedona #desertlight #fp4 #xp2 #photography